Hindu epics have a close connection with the history of Indian cinema . Dadasaheb Phalke, the "Father of Indian Cinema," set the groundwork for it all with his revolutionary Raja Harishchandra (1913). A tradition of engaging audiences with Indian history through storytelling with this silent picture, which was based on the legendary king who was renowned for his sincerity, Interestingly, this pattern lasted for decades but however “some” filmmakers tried to misinterpret Hindu epics and till date no one has potrayed the historical characters of hindu epic like Dadasaheb Phalke.
So, let’s take a look back at the movies of Dadasaheb Phalke based on Hindu history:
1. Raja Harishchandra (1913): This silent movie proved that movies might be used to teach moral lessons in addition to providing entertainment. It depicts the king's persistent commitment to the truth despite hardship and sacrifice.
2. Satyavan Savitri (1914): Based on a timeless tale from the Mahabharata, this film explores themes of love, sacrifice, and the power of devotion. Savitri marries Satyavan, a good man who works as a woodcutter, and things get complicated when Yama, the god of death, wants his soul. Savitri fights against all odds to save him, which has consequences.
3. Lanka Dahan (1917): Inspired by the Ramayana, this film explores the epic battle between good and evil. Sita's abduction by Ravana leads Rama to Lanka, showcasing themes of duty, courage, and resilience.
4. Mohini Bhasmasur (1913): This mythological drama highlights the importance of righteousness and perseverance. It depicts Lord Vishnu in the form of the enchantress Mohini, outsmarting the demon Bhasmasur to reclaim a powerful ash.
5. Kaliya Mardan (1919): This depiction of Krishna's victory over the serpent Kaliya symbolizes the eternal battle between good and evil. Krishna's triumph signifies the importance of overcoming obstacles and upholding righteousness.
Phalke's films, though technically innovative for their time, served as more than just entertainment. They were vehicles for cultural education, conveying moral values and social messages deeply rooted in Hindu traditions. Today, we see an upturn of interest in exploring these themes in motion pictures, directors are trying to rediscover the power of these stories to resonate with modern audiences. This begs the question: is Indian cinema returning to its roots?
This "return to roots" is a reflection of a modern desire to re-examine common stories and investigate their continued applicability in the modern world. Dadasaheb Phalke the legendary who told hindu epics through Indian cinema has seem to surely inspire filmmakers nowadays to make more films based on Hindu history.